Ascendant 2021 Hdcam
Movie Name: Ascendant
Director: Antoine Furlong
Cast: Charlotte Best,Jonny Pasvolsky,Alex Menglet,Tahlia Sturzaker,Karelina Clarke,Susan Prior,Andrew Jack,Lily Stewart,Elsa Cocquerel,George Burgess,John Harding,Justin Cotta.
Edited By: Jonathan Tappin
Music By: David Hirschfelder
Distributed By: N/A
Release Date: 2021-04-08
Release Year: 2021
Country: Australia
Available Language: English, Russian, Mandarin
Budget: $3,000,000
IMDB: 3.6
Box Office: Not Expose
Genre Main: Fantasy
Genre Full: Fantasy, Mystery, Sci-Fi, Thriller.
Filming Company: Day Dream Films
Official Site: http://www.samuelgoldwynfilms.com/rising-wolf/
Picture Color: color
Sound Mix: N/A
Picture Quality: 720p
File Size: 1GB
Story Line: A young environmentalist wakes, trapped, kidnapped in the elevator of a super high-rise building at the mercy of her tormentors. Note: This upload has ad cuts, is watermarked, and poor in resolution. But don’t worry, a better version will be uploaded soon. And this notice would be removed. Promising ideas turn out to be mostly empty thought bubbles in “Rising Wolf,” a confusing and derivative Aussie combo of hostage thriller and sci-fi fantasy. Centered on a terrified young woman trapped in a Shanghai skyscraper elevator by a nasty Russian villain, this muddled attempt at an elevated genre film involving time travel, psychic powers, and environmental doom can’t be rescued by strong visuals or a fine central performance by Charlotte Best. A box-office disappointment when released locally on 165 screens on April 8 under the title “Ascendant,” “Rising Wolf” has been acquired by Samuel Goldwyn Films and is reportedly set to open in U.S. cinemas on July 16. A young woman wakes, trapped, and kidnapped in an elevator of a super high-rise building at the mercy of her tormentors. This stylistic thriller, set in Shanghai, explores a young woman's instinct to survive in a situation out of her control. Trapped, without any form of escape, and cocooned in the belly of the beast, Aria is forced to adapt her thinking, her beliefs, and her endurance. This is the first of the journeys that assault her mind and her senses, pinning her down in anguish only to emerge connected to abilities that define who she truly is. The elevator pitch premise of a young woman trapped in an elevator (the irony), some 120 floors up, is one that we’ve seen utilized before in a variety of manners; the attempted infiltration of Jodie Foster’s safe haven dwelling in Panic Room, Ryan Reynolds’ underground coffin claustrophobia in Buried, and the core basis of the Saw franchise all being prime examples. Here though, Furlong has taken this singular setting and transformed it with a mentality that brings to mind more supernaturally inclined plotting, something that infinitely elevates the thesis. Initially, a one-woman show surrounding young environmentalist Aria Wolf (Charlotte Best, wholly committing herself to the role with an emotional tenacity that brings to mind the likes of such talent as Florence Pugh), Ascendant wastes no time in throwing its audience into the thick of the intensity. Awaking in an elevator – slightly technologically advanced in its design to suggest a near-future setting – with no recollection of how she got there, the film immediately earns emotional investment from its audience as she’s pushed to the physical and psychological edge of her supposed limitations with the elevator violently descending in its contained shaft at any given moment.
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