Marvelous And The Black Hole 2021

Marvelous And The Black Hole 2021

MOVIE INFORMATION

Movie Name: Marvelous And The Black Hole

Director: Kate Tsang

Edited By: Ryan Denmark, Cyndi Trissel.

Music By: Timothy Kiefer

Distributed By: FilmRise

Release Date: 2021-01-31

Release Year: 2021

Country: United States

Available Language: English

Budget: Not Expose

IMDB: 6.2

Box Office: Not Expose

Genre Main: Comedy

Genre Full: Comedy, Drama.

Filming Company: Tribeca Film Institute

Official Site: https://filmrise.com/film/marvelous-and-the-black-hole

Picture Color: color

Sound Mix: N/A

Picture Quality: 720p

File Size: 1GB

Cast: Miya Cech, Leonardo Nam, Kannon, Lauren Knutti, Raymond McAnally, Lucy DeVito, Jae Suh Park, Ice McDonald, Eddie Medrano, Gabriel Buenaobra, Elizabeth Messick, Jonathan Slavin, Rubén Orozco, Keith Powell.

Story Line: A teenage delinquent teams up with a surly children’s party magician to navigate her dysfunctional family and inner demons. Sammy (Miya Cech) thinks she’s a badass. She sneaks out of the house, smokes cigarettes, and just gets expelled from her high school for an elaborate prank that ended with her getting a black eye. (She doesn’t mind. It makes her look tough.) Sammy’s widower dad Angus (Leonardo Nam) is fed up with her defiance and threatens to send her to a military camp for troubled teens if she doesn’t start taking her obligations more seriously. In short, Sammy is a rage-filled adolescent. And like many rage-filled adolescents, her anger is but a flimsy lid covering a deep well of sadness.

While par for the course in terms of its premise as well as much of its plotting, “Marvelous and the Black Hole” is still somewhat refreshing in its visual style and experimentation. While not all of these flourishes hit their mark with the technical elegance desired, they do still imbue the film with a clear spirit and tone. For Tsang (a writer on animated TV shows including “Adventure Time: Distant Lands” and “Steven Universe”), lightness comes with darkness, and vice versa, and it is coming to terms with this union — rather than fighting it — that makes us all the better.

The writer-director has a playful style that’s quirky and colorful, utilizing text, animation, archival footage, and a particularly energetic edit (by Ryan Denmark, “We Have Always Lived in the Castle,” and Cyndi Trissel, “Two Sentence Horror Stories”) that’s at times almost jarring, mimicking the violence of Sammy’s dark attitude. The rhythm smoothes and slows after Sammy starts to unwind the tangled knot of emotions she’s carrying around, thanks in large part to time spent with Margot and her magician pals, as well as finally hitting rock bottom in her relationship with her father.

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