Corrective Measures 2022

Corrective Measures 2022

MOVIE INFORMATION

Movie Name: Corrective Measures

Director: Sean Patrick O’Reilly

Edited By: Elad Tzadok

Music By: George Streicher

Distributed By: Tubi

Release Date: 2022-04-29

Release Year: 2022

Country: United States

Available Language: English

Budget: Not Expose

IMDB: 4.4

Box Office: Not Expose

Genre Main: Action

Genre Full: Action, Sci-Fi.

Filming Company: Arcana Productions LLC, The Exchange.

Official Site: https://www.google.com/search?q=corrective+measures+2022

Picture Color: color

Sound Mix: N/A

Picture Quality: 720p

File Size: 1GB

Cast: Bruce Willis, Michael Rooker, Dan Payne, Brennan Mejia, Tom Cavanagh, Kat Ruston, Kevin Zegers, Hayley Sales, Daniel Cudmore, Doug Bradley.

Story Line: Set in the world’s most dangerous maximum-security penitentiary, home to the most treacherous criminals, tensions among the inmates and staff heighten, leading to anarchy that engulfs the prison, and order is turned upside down. We enter San Tiburon along with Payback (Dan Payne), a Bible-bashing meathead whose mission in life is hunting down “enhanced humans”; superpowered genetic freaks who are the by-product of a global cataclysm called the Pulse. 

Also on the Jailbird Express is Diego (Brennan Meija), a doe-eyed empath who Gordon (Tom Cavanagh), a one-time electricity-throwing mutant known as the Conductor, takes under his wing. All of the prisoners have their abilities curtailed by inhibitors worn on their legs – just as well when the likes of the Lobe (Bruce Willis), an adept capable of controlling minds, are also on the block. The story is nominally Diego’s show, as he gets sucked deeper into the Lobe’s sphere of influence in the latter’s battle with the warden, who wants to extort the Lobe’s billions. 

But debut director Sean Patrick O’Reilly spends a fair portion of time detailing not only Devlin but his underlings too, who are in competition to succeed him. O’Reilly makes the necessary genre genuflections, keeping regular whoop-ass appointments (mostly administered by or to Payback) and applying a southern-fried soundtrack. But the democratic structure freshens it up: giving every character credence lends a subtle weight to the film’s criticism of the US prison system; that it is a capitalist endeavor that needs a special class of criminal.

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